Artist

Isabel Lima

inspired by the ancient Greek story of the Trojan Horse, the project brings together disparate communities, most from Gresham in central Middlesbrough. The participants build the Gresham Horse and their community into a collective creative action.

Isabel Lima is a Newcastle-upon-Tyne-based artist whose most recent work titled Gresham’s Wooden Horse aims to bring disparate communities together, many of whom who are living in Gresham, central Middlesbrough. The project is inspired by the ancient Greek story of the Trojan Horse, built by Greek soldiers as a means to infiltrate and take control of the city of Troy. Lima uses this symbolism to stimulate collective action among Gresham’s populations. The project is the second part of her series Broken Chords Can Sing a Little, commissioned by the Middlesbrough Institute of Modern Art, which calls upon classical mythology to examine migration and nationality.

Through a series of summer workshops led by Lima and her collaborators (including the artists TILT), a group of local people – Gresham residents from different cultural backgrounds – are currently crafting a wooden horse using facilities at the Middlesbrough Institute of Modern Art. The participants learn new skills to create the work, and the pieces are presented around the museum once they are made.

On 23 September, the participants paraded the work from the museum to Gresham. This public unveiling aimed to instigate conversations about lived experiences there. The sculpture’s location will then become the site of a month-long series of communal activities developed with local charities and informal support networks. Gresham’s Wooden Horse sets up an informal forum for cultural exchange. The project is a vehicle for residents of Gresham, old and new, to establish a sense of ownership of their neighbourhood, and enable the collective process of reimagining the area’s identity.

Lima’s previous work has also involved Middlesbrough-based refugees. In 2016, she created a film entitled The Birds as a response to housing conditions endured by asylum seekers dispersed to Teesside.

Gresham’s Wooden Horse was commissioned by the Middlesbrough Institute of Modern Art, and is supported by Arts Council England, Platforma Festival/Counterpoints Arts, and the Seedbed Fund. (Main image: Harper Perry architects.)

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